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https://klimt02.net/jewellers/dania-chelminsky

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Dania Chelminsky

Dania Chelminsky在以色列生(shēng)活和(hé)工作(zuò)，自1989年以來(lái)一直在嘗試設計珠寶。她的課程涉及到不同的領域，如科學、珠寶設計、寶石學和(hé)表演藝術(shù)設計，她的珠寶将自然與人造材料融合，作(zuò)為(wèi)對周圍世界的一種表達方式。

▲ 胸針  Opuntia 12, 2019
Silver, epoxy resin, rust powder, stainless steel.
10 x 14 x 2 cm

▲ 胸針  Opuntia 13, 2019
Silver, epoxy resin, rust powder, stainless steel.
8.5 x 11 x 2 cm

▲ 胸針 Opuntia 15, 2019
Dried prickly pear stem, epoxy resin, rust powder, silver, stainless steel.
7 x 10 x 3 cm

▲ 項鏈  Opuntia 11, 2019
Dried prickly pear stem, silver, epoxy resin, rust powder, agates.
10 x 27 x 2.5 cm

▲ 項鏈  Opuntia 12, 2019
Dried prickly pear stem, epoxy resin, rust powder, garnets.
13 x 29 x 2.5 cm

▲ 胸針 Opuntia 1, 2018
Silver, iron, stainless steel.
10.5 x 8.5 x 2 cm

▲ 胸針 Opuntia 6, 2018
Silver, stainless steel.
9.5 x 12.5 x 1 cm

Dania Chelminsky在工作(zuò)中結合了可(kě)對比的材料，有(yǒu)機與合成、硬與軟、工藝與發現，創造了一個(gè)個(gè)具有(yǒu)可(kě)能性的內(nèi)涵和(hé)意義。她使用傳統的金屬鍛造技術(shù)來(lái)強調緊張的時(shí)刻，想要通(tōng)過作(zuò)品講述一個(gè)故事。

Dania想知道(dào)關于回收的意義。碎片和(hé)碎片，她将一次性的、不必要的“垃圾”轉變成寶貴的碎片。她把這些(xiē)材料結合起來(lái)作(zuò)為(wèi)一種陳述，作(zuò)為(wèi)思考我們如何看待周圍世界的時(shí)刻。

▲ 胸針 Opuntia 11, 2018
Silver, dried prickly pear stem, agate beads, rust powder, resin, stainless steel.
11.5 x 11.5 x 2.5 cm

▲ 胸針  Opuntia 15, 2018
Prickly pear stem, silver, stainless steel.
11 x 7.5 x 3.5 cm

▲ 項鏈  Opuntia 14, 2018
Prickly pear stem, iron, silver.
11.5 x 52 x 2 cm

▲ 胸針  Opuntia 10, 2018
Silver, iron, dried prickly pear stem, rust powder, resin.
10.5 x 8.5 x 1.5 cm

▲ 胸針  Mended heart 1, 2018
Epoxy resin, rust powder, plant veins, silver.
11 x 9 x 2.5 cm

▲ 胸針  Mended heart 2, 2018
Epoxy, silver, rust powder, plant veins.
11 x 9 x 2.5 cm

▲ 胸針  Mended heart 3, 2018
Epoxy, silver, rust powder, plant veins.
10.5 x 9 x 2.5 cm

▲ 胸針 Oddments 1, 2017
Wood, silver.
15 x 2.5 x 1.5 cm

▲ 胸針 Oddments 2, 2017
Wood, silver.
16 x 5.5 x 2 cm

▲ 胸針 Oddments 3, 2017
Wood, pearls.
12 x 4.5 x 2 cm

▲ 藝術(shù)品  Heirloom, 2017
Kozo paper, iron wire, brass.

▲ 項鏈 Heirloom seeds, 2017
Kozo paper, iron wire, brass.

▲ 胸針 Heirloom seed 4, 2017
Kozo paper, iron wire, brass.

▲ 胸針  Heirloom seed 13, 2017
Kozo paper, iron wire, brass.

▲ 胸針 Heirloom seed 5, 2017
Kozo paper, iron wire, brass.

▲ 胸針 Heirloom seed 9, 2017
Kozo paper, iron wire, brass.

▲ 胸針 Heirloom seed 19, 2017
Kozo paper, iron wire, brass.

▲ 胸針 Heirloom seed 35, 2017
Kozo paper, iron wire, brass.

Dania Chelminsky多(duō)數(shù)使用銅版紙、木頭、環氧樹(shù)脂、刺梨莖等有(yǒu)機材料，搭配鐵(tiě)絲、黃銅、銀、鐵(tiě)鏽粉等材料，打造出具有(yǒu)生(shēng)機與靈性的作(zuò)品。她的作(zuò)品看似毫無章法，實則充滿了别出心裁的設計理(lǐ)念，将看似不寶貴的“垃圾”碎片化為(wèi)創意滿滿的藝術(shù)首飾，體(tǐ)現出Dania萬物有(yǒu)靈的思想。

▲ 項鏈  Heirloom seeds, 2017
Brass, blown glass, natural seeds, cork.

▲ 胸針  IN PROCESS 40, 2015
Bean and Brass.
7 x 2 x 0.2 cm

▲ 胸針  IN PROCESS group, 2015
Beans and Brass.
7 x 2 x 0.2 cm each

▲ 胸針  IN PROCESS 17, 2015
Bean and Brass.
7 x 2 x 0.2 cm

▲ 胸針 IN PROCESS 39, 2015
Bean and Brass.
7 x 2 x 0.2 cm

▲ 胸針  IN PROCESS 51, 2015
Bean and Brass.
7 x 2 x 0.2 cm

▲ 胸針 IN PROCESS 43, 2015
Bean and Brass
7 x 2 x 0.2 cm

▲ 胸針  IN PROCESS 36, 2015
Bean and Brass.
7 x 2 x 0.2 cm

▲ 胸針  IN PROCESS green, 2015
Bean and Brass
7 x 2 x 0.2 cm each

▲ 胸針 Passing 2, 2015
Wood, watch glass, silver, Poppyseed petals.
5 x 12 x 1 cm

▲ 胸針  Passing 1, 2015
Wood, watch glass, silver,  Chrysanthemum petals.
5 x 12 x 1 cm

▲ 胸針  Passing 3, 2015
Wood, watch glass, silver, Kolaus leaves.
5 x 12 x 1 cm